Over the spanning nearly four hundred years, the Atlantic slave trafficking system saw 12.5 million Africans forcibly taken from their continent to the Americas. A devastating 1.8 million of those individuals died during the voyage, enduring unfathomable conditions of extreme confinement, squalor, and disease. Many took their own lives by leaping overboard, whereas others were callously thrown into the sea.
In The Zorg, author Siddharth Kara weaves together two parallel narratives. The first chronicles a horrific incident aboard the eponymous slave ship—the systematic drowning of 132 enslaved Africans by its British crew. The second story explores how this event played a pivotal role in the abolition of the Atlantic slave trade in 1807, driven in large part by the dedicated work of a coalition of abolitionist activists. Among them was Olaudah Equiano, who wrote one of the rare first-person accounts of the Middle Passage, calling it “a scene of horror almost inconceivable”.
The account originates in Liverpool, a port city that at the height of its economic power was accountable for 40% of Europe's slave trafficking. Investing in slavery was a highly profitable venture for everyone from the elites but also the common people. One such entrepreneur, William Gregson, saved up his wages from his trade, invested them into the slave trade, and eventually became a prominent citizen and even mayor. Gregson financed the slave ship The William, which set sail from Liverpool for West Africa in October 1780 under Captain Richard Hanley. Its hold was filled with trade goods like tobacco, firearms, knives, and various “India goods” such as chintz and cowrie shells—the shells being a standard rate in the purchase of enslaved people.
Around the same time, a Dutch slave vessel named the Zorg (later anglicized by the British as the Zong) had left the Netherlands. With Britain at war with the Dutch in late 1780, the Royal Navy gave British ships authority to capture Dutch property at sea—a de facto sanctioning of privateering. The Zorg was soon captured by a British captain and anchored off the Gold Coast. Meanwhile, Captain Hanley, during one of his voyages, took aboard a fleeing British governor named Robert Stubbs, who had been expelled for graft.
When Hanley reached Cape Coast Castle—a stronghold with a notorious slave dungeon beneath it—he took command of the captured Zorg. He then severely overcrowd it with captives, placed a dozen of his own crew on board, and appointed Luke Collingwood, a ship's surgeon of questionable nautical skill, its captain. In August 1781, the Zorg left Accra carrying 442 enslaved Africans, 17 crew members, and one depraved passenger: the former governor, Robert Stubbs.
Kara excels in using historical documents to bring to life the general hell of being transported on a slave ship.
The Zorg's journey was fraught with disaster. "The flux" ravaged the vessel, followed by scurvy. The captain fell ill, became delirious, and handed command over to Stubbs. Thus, “a ship full of decay and death was being commanded by a passenger.” Kara masterfully utilizes eyewitness accounts to illustrate of the sheer horror. The graphic testimony of Alexander Falconbridge, a doctor who became an activist, details how the enslaved people's skin was often worn down to the bone from being packed on bare wood, their flesh caught between the planks.
By late November 1781, the Zorg was far from Jamaica and dangerously short on water. The crew made the decision to throw overboard a number of the enslaved Africans, who had already endured months of obscene conditions below deck. This monstrous act was not motivated by preserving life—the Africans had pleaded to be allowed to live, even without water rations—but by cold economic greed. Maritime insurance policies did not cover losses from natural causes, but they would pay for cargo discarded out of “necessity” for the ship's safety. Over several days, the crew drowned “those Africans who would be worth less at auction”—the weak, the sick, including women and children, among them a baby born during the voyage.
Back in Liverpool, investor William Gregson was unhappy about the profit on his investment. He filed an insurance claim for £30 per drowned captive—a substantial sum in today's money. The insurers refused to pay. In March 1783, Gregson took them to court and won a trial by jury, with his lawyers claiming that throwing the enslaved people overboard had been “necessary.”
According to Kara, “there is a direct line of causality between the public exposure of the Zorg murders and the first movement to abolish slavery in England.” Merely twelve days after the trial, an published essay appeared in a widely read English newspaper. The author, who claimed to have been present the court proceedings, argued compellingly against slavery, citing the Zorg case as a key illustration of its inherent evil. Olaudah Equiano saw the letter and brought it to the activist Granville Sharp, who petitioned for a new trial. At the following hearing, the events on the Zorg were examined in forensic detail, precisely what the abolitionists had wanted.
In the spring of 1787, the founding members of the Society for Effecting the Abolition of the Slave Trade convened. Over the following years, they wrote letters, made speeches, organized campaigns, and meticulously documented the particulars of the slave trade. “Their efforts,” Kara writes, “would lay a blueprint for the pursuit of social justice.” After years of struggles, the Act for the Abolition of the Slave Trade was finally passed in 1807.
The question of who or what should be credited for abolition is a matter of debate. The Zorg's legacy, however, is powerfully captured by J.M.W. Turner's famous painting, The Slave Ship, which was based on the events of 1781. While slavery has been widespread in human history, its abolition following a prolonged public movement was unprecedented, serving as an testament to the power of persistent activism, the pen, and unwavering determination.
Unlike his other work—such as the acclaimed Cobalt Red—Kara has had to address certain lacunae in the available documentation. Consequently, imaginative flourishes contrast with rigorously researched accounts, giving the book a somewhat chimeric feel. A blend of narrative suspense and part historical analysis, The Zorg ultimately succeeds in illuminating one of history's most horrific episodes, using powerful storytelling and documented fact to create a account that haunts the reader well after the final page.
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